Category: Uncategorized

MI DI WORM no. 10, 1min., Switzerland, Animation Directed by Barbara Peikert The starting material is a frame-to-frame animation art of 2-Stop motion: A production with visual effects. Of the type related to a stereoscopic recording, the flickering wiggling-picture ramifications of the yellow color animate strokes on a red background. CLICK HERE – and see… Continue reading Mi Di Worm no 10. Short Film, Audience FEEDBACK from the Nov. 2019 ANIMATION Festival — FEEDBACK Animation Film & Screenplay Festival

IN AN EMPTY WOOD, 2min., USA, Animation Directed by Chia-Hsin Lee This is a poetic animation film on the jealousy of seeing someone succeed in a path you once considered. CLICK HERE – and see full info and more pics of the film! via In An Empty Wood Short Film, Audience FEEDBACK from the Nov. 2019… Continue reading In An Empty Wood Short Film, Audience FEEDBACK from the Nov. 2019 ANIMATION Festival — FEEDBACK Animation Film & Screenplay Festival

DON’T THINK OF A PINK ELEPHANT, 7min., UK, Animation Directed by Suraya Raja We’ve all had thoughts of what might happen should we jump from a high place, drop the baby, or stab someone with a fork. Usually we can dismiss them without a care – but what if we couldn’t? CLICK HERE – and… Continue reading Don’t Think Of A Pink Elephant Short Film, Audience FEEDBACK from the Nov. 2019 ANIMATION Festival — FEEDBACK Animation Film & Screenplay Festival

THE SPIRIT SEAM 15min., USA, Animation Directed by Ashley Gerst The Spirit Seam is a short animated film about a little girl, Pollywog, and her Pap-Paw. Located in an Appalachain coal-mining town in the 1950s, the film takes the audience through the daily life of both characters. At the start of the film, the characters […]… Continue reading The Spirit Seam Short Film, Audience FEEDBACK from the Nov. 2019 ANIMATION Festival — FEEDBACK Animation Film & Screenplay Festival

THE SPIRIT SEAM 15min., USA, Animation Directed by Ashley Gerst The Spirit Seam is a short animated film about a little girl, Pollywog, and her Pap-Paw. Located in an Appalachain coal-mining town in the 1950s, the film takes the audience through the daily life of both characters. At the start of the film, the characters […]… Continue reading The Spirit Seam Short Film, Audience FEEDBACK from the Nov. 2019 ANIMATION Festival — FEEDBACK Animation Film & Screenplay Festival

Film Courage: FYI (Films By Youth Inside), that is your nonprofit? Alex Munoz, Founder of FYI Films/Filmmaker: Yes. Film Courage: Do you remember the day that you not just applied for the the nonprofit status but that you actually came up with the idea to do it? Alex: Yes, I wish I could say I […]… Continue reading How One Filmmaker Can Change The Lives Of A Community by Alex Munoz [Founder of FYI Films] — FilmCourage.com

Film Courage: Were your parents encouraging of you being in the entertainment industry? Rachel K. Ofori, Producer: My parents were not at all encouraging to the industry. They were adamantly “no.” I’m a child of foreigners (immigrants from Jamaica). My dad and came to this country with a very specific dream to make a better […]… Continue reading How To Win Over Parents Who Don’t Want You To Be An Artist by Rachel K. Ofori — FilmCourage.com

Film Courage: What makes a great horror movie? David F. Sandberg, Filmmaker: It depends on what kind of movie because the horror movies I’ve made have kind of been popcorn where it’s kind of dry which is very satisfying because you get this cheering when the right person dies or gets away and people are […]… Continue reading What Makes A Great Horror Movie? by David F. Sandberg — FilmCourage.com

Battlefield Earth Screenwriter Explains What Happened by Corey Mandell via FilmCourage.com. via Battlefield Earth Screenwriter Explains What Happened by Corey Mandell — FilmCourage.com

Film Courage: Do beat sheets work? Jill Chamberlain, Script Consultant/Author/Writer: I think having an outline is an excellent idea. I do know writers who don’t need them. I think they need something and these are going to be…I speak of writers who I have worked with so they tend to already be devotees of using […]… Continue reading Do Screenwriting Beat Sheets Work? by Jill Chamberlain — FilmCourage.com