Oh. has a passion for creating both ethereal ballads and progressive rock, metal and acoustic renderings that whisper of Satriani with Vai-esque hard and fast shreds that burn through her Ibanez guitar. Her music is rich in symphonic and harmonic choruses accompanied by powerful sultry vocals in the timbre of Sharon Den Adel, Anneke Van Giesbergen and Tori Amos. Her music always challenges the listener to journey in her sonic landscapes and escape into the atmospheres she creates — with sounds take the listener musically to places they have never been before.
Oh. released a debut progressive rock EP “Sleeping World” in 2013 with the award winning video “Trials – A Song for a Lost Generation” and metal album and vinyl release, “Synemotion” in 2015 and two singles, “Love Will Heal” and “Love of Avalanches” in 2016 – one of the first Greek artists to create a 360° virtual reality video without a 360° camera.
A single ballad, “I’m in Love” was released in 2017 with an Awwwards.com nominated WebGL online experience.
The last of the single ballad series, “Deserted Eyes” was released on January 19, 2018.
A progressive metal EP, “Metallia” will be released in 2018. Now, she’s in the studio working on the progressive rock album, “Prog Unshaven” coming out in Spring 2018.
“Deserted Eyes” was filmed at the seashore in Glyfada a southern suburb of Athens, Greece in the late summer of 2017. During the filming, a ttragic oil spill occurred precipitated by the negligence of the Greek government – an ecological disaster in the waters of the Saronikos. On the last day of filming the beach was covered in oil, dead birds covered in tar and the stench of petrol in the air.
The song “Deserted Eyes” is about how a person’s dark, depressed and toxic states of mind can poison our interpersonal relationships and eventually dim the light of the soul in the other’s eyes, stealing their aspirations, hopes and finally the connection to their own soul and sense of self. The oil spill starkly depicted — with the blackening of the earth, toxic fumes, depressed state all present experienced, the death of wildlife — the irreparable damage to the interpersonal relationships shared everyday by all the beach-goers and coastal community. During post-production, we could not ignore the correlation that tragic event had to the song and so incorporated the visuals into the final clips.