Directed by Maria Juranic
Four characters inhabit cycles within cycles of contentment, discontentment, inertia, movement, desire, and betrayal. A story emerges—told through the marriage of music (Ex-Fiancée) and dance (ChrisMastersDance)—functioning as a set of nesting dolls, inviting you to uncover as many layers as you wish. Directed by Maria Juranic.
Watch the Audience Feedback Video:
News & Reviews
- “Best Music Video”Chicago Movie Magazinehttps://www.chicagomoviemagazine.com/post/12th-edition-of-chicago-indie-film-awards
- “A Feast That Never Comes: An Interview with Sven Britt and Maria Juranic”Tokyo International Short Film Festivalhttps://www.tokyoshortfilmfest.com/post/a-feast-that-never-come
Director Biography – Maria Juranic
An immigrant from Yugoslavia, Maria Juranic is a director and editor working in New York and Los Angeles. She has made visuals on a variety of media platforms from music videos and advertising to fashion and film. She also teaches graduate students cinematography at Brooklyn College.
In the last decade, Maria has been writing and directing short form content for brands and companies as disparate as Conde Nast and Sesame Street. She recently directed the 10-part SnapChat Originals miniseries “Action Royale,” and her short documentary “RedBone” is currently distributed on NBC LX.
She is also sought out by labels such as Warner and Universal for her music videos. Her work has been seen on MTV, VH1, Rolling Stone and Nowness. Her latest music video for Poliça, “Agree,” is a Vimeo Staff Pick, and her most recent branded spot won a 2019 Gold Telly Award. She is a recipient of the 2017 Jerome Foundation Grant and 2013 WIFT Grant.
Investigation and interrogation is at the heart of this project. We carve pathways for witnesses to ask their own questions and draw their own conclusions. We began with an examination of technology’s effects on everything from our understanding of self and others to communication, mental health, digital outrage, public and private presentation, and cycles of abuse.
The result is work that functions not as declarative, but rather as interrogative, always leaving the listener with more questions than answers. To suppose that an artist has all the answers is hubris at its most incessant and troubling. Here, we can’t find a singular truth, because art must reflect life. Instead, you are invited to grapple with the same questions that the creator struggles with.
The musical, lyrical, and visual motifs that repeat throughout the project may be taken as clues to the artist’s intent. But from there, you’re on your own. The only intent that prevails in A Feast That Never Comes is that of openness and investigation; there is no right answer, but there’s also no right question. You are hereby invited to ask your own questions, and provide your own answers. The work remains fundamentally unfinished without you.
With love and graciousness,
Maria Juranic (Director), Sven Britt (Ex-Fiancée, Composer), Chris Masters (ChrisMastersDance, Choreographer)