Directed by Emily Penick
In this wordless, experimental film, a powerful goddess meets her match.
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Emily is a writer / director with a background in directing and choreographing stage plays.
In NYC, she has worked at Playwrights Horizons, 2nd Stage, New Dramatists, The Tank, and elsewhere, developing new works for both stage and film. Before Covid, Emily was also a member of Frost Productions, responsible for producing large-scale events like the MET Gala, Tonys red carpet, and film premieres.
In addition to her own projects, Emily assists Tony-award-winning director and MacAurthur Fellow, David Cromer.
Emily is passionate about creating community, fostering positive change, and sharing career-development resources with young artists. During her time as Literary & Artistic Manager at ACT – A Contemporary Theatre, Emily lead the charge to make the institution a Deaf-friendly space, managing artistic programming, inclusive casting, meaningful community partnerships, and capital improvements which included the implementation of closed captioning in both main stage spaces. Also at ACT, Emily founded and managed the Kenan Directing Fellowship, which generously supported emerging directors with mentorship and financial resources.
Through her efforts with RED STAGE, which she founded, Emily has produced the world premiere Worse Than Tigers, and commissioned emerging female playwrights. RED STAGE also shares funding and career development opportunities with artists across disciplines, through their resource library at redstage.org.
With over a decade of experience in clown, nouveau vaudeville, and physical theatre, Emily is passionate about stories which showcase either subtlety or overtly, the modern clown. Two of her upcoming short film projects, The Coronation and Cuffing Season, showcase such work.
As an educator, Emily has adjudicated new play festivals at universities, taught play submission workshops, taught graduate courses in directing, acting, and movement technique, and guest-directed and choreographed university productions.
Recent directing credits include AN ILIAD (Brick Monkey Theater Company), THE WOLVES (Bucknell University), CORIOLANUS: Fight Like a Bitch (Rebel Kat Productions), A Christmas Carol (ACT- A Contemporary Theatre), the world premiere of Worse Than Tigers (RED STAGE), Gregory Award-winning Romeo & Juliet (Seattle Immersive Theatre), Pilgrims (Forward Flux), Snowglobed (Playing in Progress) and Milwaukee Repertory Theater’s The Other Woman, Wandering and their world premiere of the devised play Pot of Gold. Emily has choreographed at Book-It Repertory Theatre (Slaughterhouse Five), Café Nordo (Don Nordo Del Midwest), ACT Theatre (A Christmas Carol), and for the UMO Ensemble’s Resistance Cabaret – Resistance is Fertile!
Emily was born in California, raised in New Jersey, attended Bucknell University, and earned her MFA in Directing from Ohio University.
Emily is a writer / director with a background in directing and choreographing stage plays. Also an intimacy and fight choreographer for both stage and film, Emily believes in the power of physical relationship and non-verbal story-telling. She enjoys deeply collaborative projects which explore the absurdity of the human experience, with all of its humorous, loving, and disturbing connotations. Monty Python meets Pina Bausch.