Director BIO: Roman De Giuli (LAND OF MINE)

Director Biography – Roman De Giuli

Roman De Giuli is a German photographer, filmmaker and lecturer for media production at the Friedrich-Alexander University Erlangen-Nuremberg. He is specialized in organic visual arts, that is creating practical effects with everyday ingredients without the use of computer generated imagery.

His compositions mainly consist of fluids, powders and colors which are applied on glass planes and petri dishes, arranged in stacks to create vivid, three dimensional scenes. High resolution stills and videos are exclusively captured with macro lenses to cover tiny areas in enormous reproduction scales. Roman does extensive studies of organic patterns, their behavior and movement. With the help of music and sound design, he transforms the abstract narrative potential of organic visuals toexperimental montages with a cinematic character.

Besides video stock footage and prints he offers liquid light macro shows for public events, where organic patterns are emerging in real-time on a tin surface, filmed and projected in 4K. However, his most popular works are macro
cinematographic short films like STREAM, SINGULARITY and RADIOLARIANS which got
international publicity, not least because of his visual compositions which are completely new to the human eye.

Short Film: LAND OF MINE, 4min., Germany, Experimental

Landofmine poster

“Man must rise above the earth – to the top of the atmosphere and beyond – for only thus will he fully understand the world in which he lives.” (Socrates)

LAND OF MINE is an experimental macro short which is made with acrylic paint and ink on paper. The idea was to recreate the unique look on planet earth from space which sometimes rather appears like an abstract piece of art than a real photo. From far away, the surface of our planet shows the beauty of it’s landscapes, coasts and the sea in perfect order. It’s highly expressive visual aesthetics and it’s contextual narrative inspired me to create an artistic interpretation of what I’ll never see with my own eyes.
It’s just flowing colors on drawing paper, but it’s there, it’s massive and it’s real: the land of mine.

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