The room of a hospital, two women waiting. The invitation to the soul to let go, the invitation to react for who remains.
A woman on a hospital bed, at the end of her life, is struggling to survive.
Another woman is waiting during those final moments.
In what is the close separation between the two figures, scenes of dailylife emerge in a dreamlike vision, in wich abandonment and loneliness are already announced, but even the prospect to be able to react. The hope is the vision of a new birth, the opposite of death that, at the same time, is linked to: birth is already a separation and in itself a death.
The fear of being hurt, being alone,
The desire to be released from its shell expressed
in emotional changes through dance.
The action emphasized by editing
it becomes a sound and forms a rhythm
in the head of who sees this
Experimental video where the image became a rhythm track.
“Kaddume” is an expedition that recognizes San Basilio de Palenque’s past and future relationships. It’s a look to and from the body, the land they live in and the voice of their female ancestors. The same ones that opened new paths in search of freedom. This dance is a new approach through rhythm and movement, to that strength and wisdom. It is an homage of these girls, not professional dancers, to that empowered walk of freedom that still lives in their bodies.
Are we prisoners? Between light and dark, between destruction and beauty, between wild and thinking, monster and human? “The She in me” is a experimental idea thought by Alexandra Moulié (Make up Fx) and Mikaël Vecchio (writer, director and editor).
Unsatisfied with his life, Bryan must combat himself to achieve his goal of getting back into his forgotten passion of playing water polo.
3 minutes 24 seconds
May 4, 2018
Country of Origin:
Country of Filming:
Experimental holistic visual accompaniment to 1/5th of Seth Scott’s release ‘Cathedral Ruins of the Old You’ on the independent London record label PLZ Make It Ruins. The Fader called it a ‘half surreal art installation and half BTS footage from Avatar.’
Deserted Eyes is a song, animated music video and WebGL project by the Greek multi-instrumentalist Oh. (Olivia Hadjiioannou).
The song takes the listener beyond the vicissitudes of relationship and love – beyond the criteria of reciprocity and togetherness.
It casts a light on the individual within the relationship rather then the relationship itself. Expressing how one’s state of mind — if left unchecked and allowed to settle too long in dark and despondent moods —eventually wears away at the soul of the other — casting an immutable spell unwittingly upon the one you love.
The video was filmed during the late summer of 2017 in Greece where a tragic oil spill occurred causing an ecological disaster in the waters of the Saronikos and irreparable damage to the interpersonal relationships of the coastal community.
During post-production, we could not ignore the correlation that tragic event had to the song and so incorporated the visuals into the final clips.
The music video was created with traditional hand-drawn, 2D, 3D and motion graphics. The project also includes an innovative online WebGL experience embedding YouTube video, music players and animated elements to create a 3D web experiences using three,js.