Experimental Film & Music Video Festival
Submit your film and get it shown at the festival that runs for 4 times a year in the heart of downtown Toronto at the Carlton Cinemas.
Unsatisfied with his life, Bryan must combat himself to achieve his goal of getting back into his forgotten passion of playing water polo.
Experimental holistic visual accompaniment to 1/5th of Seth Scott’s release ‘Cathedral Ruins of the Old You’ on the independent London record label PLZ Make It Ruins. The Fader called it a ‘half surreal art installation and half BTS footage from Avatar.’
“Seth Scott’s new video is weird and wonderful”
The Fader
http://www.thefader.com/2018/04/27/seth-scotts-video-vegyn-p
Deserted Eyes is a song, animated music video and WebGL project by the Greek multi-instrumentalist Oh. (Olivia Hadjiioannou).
The song takes the listener beyond the vicissitudes of relationship and love – beyond the criteria of reciprocity and togetherness.
It casts a light on the individual within the relationship rather then the relationship itself. Expressing how one’s state of mind — if left unchecked and allowed to settle too long in dark and despondent moods —eventually wears away at the soul of the other — casting an immutable spell unwittingly upon the one you love.
The video was filmed during the late summer of 2017 in Greece where a tragic oil spill occurred causing an ecological disaster in the waters of the Saronikos and irreparable damage to the interpersonal relationships of the coastal community.
During post-production, we could not ignore the correlation that tragic event had to the song and so incorporated the visuals into the final clips.
The music video was created with traditional hand-drawn, 2D, 3D and motion graphics. The project also includes an innovative online WebGL experience embedding YouTube video, music players and animated elements to create a 3D web experiences using three,js.
https://olitunes.com/worlds/webgl2/chapters/desertedwebgl.html
“Deserted Eyes -3D WebGL Online Experience”
Debut music visuals for angst-ridden, urban track ’18th Dec’ by Mumbai-based rapper Tienas, aka Bobby Boucher — self named on account of a speech impediment he was born with, which incredibly disappears whenever he raps.
“Summer special: The season’s hottest indie albums”
livemint
A visual representation of a women’s anxiety in it’s day to day form.
Apprehension is the concept of fear, anxiety, and nervousness. That sick feeling you get in your stomach. This is what many feel through everyday life. A constant reminder of how our minds are the most powerful force in our body. This same feeling is revealed through visuals of beauty, calmness, and static posture. Inserts of uneasiness, things that represent what we fear, and tools of escapism will contrast with our current state of mind.
A dance floor as a giant canvas and my own body as a paintbrush. With this project, I wanted to explore transdisciplinarity in art, by making a parallel between dance and calligraphy. In both domains, the movement is the most important.
To draw a beautiful letter, the calligrapher must have a perfect hand gestural. More generally, gestural that we can see in any hand writing is telling something from the one who wrote it.
Dancers are telling things with body, gestural, and movements. The way someone is moving are telling a lot about him.
To support this reflexion, I have decided to use a citation of the choreographor Martha Graham : “Movement Never Lies”.
Dance video with a focus on questions around identity and its fluidity, meaning that culture and popular media create a define imprint on people’s unconsciousness and the way we see ourselves and others in the world
In this piece is a visualization of how people see others in “a package.” We all have our own bias and ideas around chosen cultures and ideas which are more likely have been formed through the influence of popular media, socio-political context and most importantly person’s surrounding. When a person says he is coming from from a particular country, people tent to immediately transfer their personal associations and ideas on to him/her and create an invisible “shell” of stigmas and stereotypes.
