Experimental Film & Music Video Festival
Submit your film and get it shown at the festival that runs for 6 times a year in Toronto, and 3 times a year in Los Angeles.
Each poem asks for a different approach. Text, visual images and sound are woven together in video poetry to create something quite new. Synergies develop when poets and animators collaborate!
A traveler explores a places between reality and dreams, control and chaos, the known and unknown, as she comes to a realization about her existence.
This animation made of 2500 paintings tells the story of a man who tries to run away from his fate. He is seeking for success, fame, happiness and love… But the city is too strong and he can’t win. Sadly, he becomes a powerless witness of his own fall, just like a bee trapped in a spiderweb.
01
Sergam is a little boy. A refugee. His boat’s stranded on the coast. His mother didn’t survive. Instead, a young woman takes care of him and they both set off on their way through a nightmare.
Second Truth
An international short film concert series by julian friedrich
illustrators, photographers, painters, choreographs, artists and film makers from all over the world confront the hot spots of our time silent films accompanied only by music
This is one of the films from the international short film initiative ‘Second Truth’. The initiative features more then 10 silent films in which illustrators, photographers, painters, choreographers, artists and film-makers from all over the world confront the hotspots of our time accompanied only by music.
These silent films are meant to be freely accessible on social media and are released by press offices, at festivals and on CD. Behind this is an open publication strategy as well as an international ‘Second Truth’ concert series.
Most recently, in my latest series The Longing Ritual the focus has been on the nature/culture continuum, in particular the search for real experience and a connection to the natural world. By using imagery from various personal rituals connected to cycles of repetitive behavior; the work represents a synthetic place where barriers interfere with direct experience. Photography, film, now virtual worlds are often the substitute and have become the closest we can get to the real thing. My work is meant to mimic this phenomenon. I am deeply interested in how as a culture we see through these different lenses including photography, film and the digital device. Because my imagery is either invented, altered, and or taken out of its original context, it then functions in a realm that is not solely dependent on its connection to language. So, although the work is grounded in place, the experience for the audience is more ephemeral. It is linked to the nature of memory and how we construct meaning and identity from our personal and cultural history and how it gets embedded through the natural and built environment. I create worlds in which altered fragments from my existing landscape are pieced together. These territories then become activated and foster a dialogue between different sequences which produce a nonlinear, poetic narrative.
